Imagine stepping onto the red carpet, embodying the timeless elegance of Chanel, while simultaneously channeling the spirit of a 90s icon like Carolyn Bessette-Kennedy. That’s exactly what Sarah Pidgeon did at the New York City premiere of FX’s ‘Love Story: John F. Kennedy Jr. & Carolyn Bessette.’ But here’s where it gets even more fascinating: her look wasn’t just a nod to classic Chanel—it was a masterpiece from Matthieu Blazy’s pre-fall 2026 collection, blending Art Deco opulence with modern sophistication.
Styled by the talented Emma Jade Morrison, Pidgeon’s ensemble was a sleeveless dress with a daring plunging neckline, reminiscent of the 1930s silhouette. The bodice, adorned with diamond shapes, paid homage to the Art Deco movement, while the beaded detailing gracefully transitioned into a playful skirt of soft turquoise plumage. And this is the part most people miss: beneath the skirt, Pidgeon wore black trousers, a subtle yet bold statement that added depth to the look. A black bow at the neckline and pointed-toe black pumps completed the outfit, proving that sometimes the devil is in the details.
Her beauty look was equally captivating. Hairdresser David von Cannon styled Pidgeon’s blond hair with a middle part, letting it flow naturally, while makeup artist Shayna Goldberg kept the look soft and effortless. But here’s the controversial part: in an era of bold, statement-making red carpet looks, Pidgeon’s choice to keep her makeup understated might seem almost revolutionary. Is simplicity the ultimate form of sophistication, or does it risk blending into the background? We’ll leave that debate to you.
Matthieu Blazy, who took the helm as Chanel’s artistic director in December 2024, has been making waves since his debut Métiers d’Art collection show in New York City’s subway system in 2025. His ability to span eras—from 1920s beehive hairdos to 80s power suiting—while infusing Gabrielle Chanel’s signature animal prints and Astrakhan fur inspirations, has redefined what it means to wear Chanel today. For instance, his handwoven leopard-motif tweed sets and silk designs mimicking Astrakhan fur are not just fashion statements but technical marvels. And let’s not forget the intricate tweed interpretation of the 1931 ‘Tonight or Never’ film poster—a nod to Chanel’s costume design legacy.
As Pidgeon steps into the role of Carolyn Bessette-Kennedy in the FX series, executive produced by Ryan Murphy, she not only brings the iconic couple’s 90s love story to life but also bridges the gap between fashion’s past and present. The series, debuting on FX and Hulu on February 12, promises to be a cultural phenomenon. But here’s the question: Can a series truly capture the essence of such a private yet public romance? And does Pidgeon’s Chanel look set a new standard for red carpet fashion? Let us know your thoughts in the comments—we’re all ears!
